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(en) France, Monde Libertaire - Ideas and Struggles: The Experience of Factory Life (ca, de, fr, it, pt, tr)[machine translation]

Date Tue, 13 Jan 2026 08:13:50 +0200


"The life of a skilled laborer is not an acceptable life." ---- Discover the world of work, the pace, the order of the machines, the hierarchy of the bosses, and life in the factory in the 1930s. Éditions de la Lanterne enriches its "Eclairages" collection with a book, *The Experience of Factory Life*, which brings together excerpts from Simone Weil's Factory Diary and letters addressed to her friends, Nicolas Lazarévitch and Boris Souvarine, as well as to trade unionists. The originality of the book and the collection lies in an introduction written by a specialist on the subject, in this case, philosopher Nadia Taïbi, accompanied by a portfolio that, through photographs of the workshops and demonstrations, places the reader at the heart of Simone Weil's lived experience, allowing her to grasp reality rather than imagine it. During the most difficult moments of her work, she was aware that this experience would end while her fellow workers would remain in those factories for the rest of their lives. She observed that "the life of a skilled laborer at Renault or Citroën is not an acceptable life for a man who desires to preserve human dignity." And yet, millions of workers endured these working conditions and fought to maintain their dignity. Even today, it is necessary to modify the technical means of production to challenge the oppression of workers, as Nadia Taïbi points out.

To better appreciate the significance of Simone Weil's experience, Ludivine Péchoux presents a brief biography. Simone Weil was born in 1909 into a family that valued culture highly. A philosophy graduate, she taught literature to young railway workers, then took her first job in Le Puy-en-Velay. She became involved in the labor movement and contributed to *La Révolution prolétarienne* (see the website of *Le Monde libertaire*, "Ideas and Struggles," February 15, 2025). In 1932, she wrote there, with remarkable clarity: "Hitler means organized massacre, the suppression of all freedom and all culture." The following year, she began writing her most important work, *Reflections on the Causes of Freedom and Social Oppression*. Wishing to pursue her line of thought, she took a one-year leave of absence to work in a factory at the age of 25, despite her fragile health. She discovered the Alsthom workshops, working as a press cutter, then became a milling machine operator at Renault in Billancourt. "Days in the factory are an endless repetition of painful gestures, of fragmented tasks performed without any known purpose."

"Taking the Floor in Turn"

1936 was a moment of joy for the working class, a surge of immense hope that was quickly shattered. Let us read her words: "After always bending, enduring everything, taking it all in, in silence for months and years, finally daring to straighten up. To stand tall. To take the floor in turn." In an article published in La Révolution prolétarienne on June 10, 1936, she wrote: "Will we finally witness a real and lasting improvement in the conditions of industrial work? Time will tell; but we mustn't wait for that future. We must create it."

She left for Spain, briefly joining the Durruti Column. She wrote in Le Libertaire, Vigilance. Then came the war, her departure for New York and then London to write her last works, Writings from London and The Need for Roots, before dying there on August 30, 1943.

"Politics[...]a sinister joke"

The Factory Diary admirably captures the atmosphere of the workshops: the heat, the noise, the dust, the fatigue, the aches and pains, bodies worn down at 40, the humiliation and contempt, but also the workers' solidarity, the helping hand. Her comrades could see that she didn't have their stature, their working-class culture, and they helped her. She quickly succumbed to pessimism, believing that the pursuit of a wage forced one to accept, to endure, to submit. "There, you truly feel like a slave, humiliated to your very core." She criticized the Bolshevik leaders Lenin and Trotsky, who had never worked in a factory. "Politics appears to me as a sinister joke." Simone Weil doesn't mince words; one might even detect echoes of Louise Michel in her work. You'll also discover innovative proposals for the time, proposals that remain relevant today.

The portfolio contains photos of workshops under glass roofs, the cold of winter, the unbearable heat of summer, a Renault factory gate reminiscent of the one where Pierre Overney was murdered, the funeral of a friend killed in a workplace accident, accompanied by his comrades with raised fists and rage in their eyes, demonstrations, and the poignant image of the gate at Île Seguin with women, men, and smiles-the working class looking back at us, still calling us to struggle.

* Simone Weil
Experience of Factory Life
Ed. de la Lanterne, 2025

https://monde-libertaire.net/?articlen=8732
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